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Photoshop CS2 RAW: Using Adobe Camera Raw, Bridge, and Photoshop to Get the Most out of Your Digital Camera | 
 enlarge | Author: Mikkel Aaland
Publisher: O'Reilly Media, Inc.
Category: Book
List Price: $34.99
Buy Used: $3.98
You Save: $31.01 (89%)
Rating:  10 reviews
Sales Rank: 510742
Format: Illustrated
Media: Paperback
Pages: 224
Number Of Items: 1
Shipping Weight (lbs): 1.3
Dimensions (in): 9.9 x 7.9 x 0.7
ISBN: 0596008511
Dewey Decimal Number: 775
EAN: 9780596008512
Publication Date: March 15, 2006
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Good covers, mint interiors, no highlighting or markings of any kind
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Product Description
The RAW file format is the uncompressed data file captured by a digital camera's electronic sensor. When your camera saves an image in RAW format, settings like white balance, sharpening, contrast and saturation are not applied to the image but are saved instead in a separate header. Because RAW files remain virtually untouched by in-camera processing, they are essentially the digital equivalent to exposed but undeveloped film. This makes RAW an increasingly popular format with amateur and professional digital photographers, because it affords greater flexibility and control during the editing process-if you know how to work with RAW files. Most digital camera manufacturers supply their own software for converting RAW data, as do some third party vendors. Increasingly, however, the RAW converter of choice is a plug-in included in the latest version of Adobe Photoshop, the most popular and widely-used digital image editing tool in the world. Adobe Photoshop CS2 is emerging as the best place to edit RAW images, and the best way to master this new format is with Photoshop CS2 RAW. An important book dedicated to working with RAW in Photoshop, this comprehensive guide features a unique design that helps readers grasp the subject through visual instruction and prompts. The entire RAW process is explored, from shooting to using the Adobe plug-in converter and new Bridge navigation software. The primary focus of Photoshop RAW is, as the title suggests, Photoshop editing technique: automating RAW workflow, correcting exposures, extending exposure range, manipulating grayscale and working with the new DNG (Digital Negative) open standard that Adobe supports. Presented by photographer Mikkel Aaland, a pioneer of digital photography and author of eight books, including O'Reilly's Photoshop for the Web and the award-winning Shooting Digital, Photoshop CS2 RAW investigates and instructs in an accessible visual style. Required reading for professionals and dedicated photo hobbyists alike.
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| Customer Reviews: Read 5 more reviews...
 Photoshop Raw - M.Aaland January 28, 2007
Keith A. Pearson (Sydney, NSW, Australia)
5 out of 5 found this review helpful
Minimum text balanced with excellent sidebar explanations, examples and illustrations made the book easy to read and understand, and to fully exploit the many features or RAW. Of particular interest was the coverage of colour balance, High Dynamic Range and Black and White conversion in RAW
 Not bad for the second draft, but not ready for print December 21, 2006
Professor Without Degree (USA, CT)
2 out of 9 found this review helpful
Hi,
Short about me:
I'm new to Adobe Raw/Photoshop and knew almost nothing about it. Very little knowledge about digital photography, however have extensive background in computers and film/SLR photography.
I absolutely hated this book, and I'm returning it now.
The wording is confusing, the terms are barely explained, sometimes not explained at all, I had to use Internet extensively to decipher the book.
Author keeps repeating the same things again and again, using the same abstract and confusing language.
The illustrations are small, really small, there is no way to see what is pictured, forget about seeing the supposedly shown effects.
Author many times refers to tools in Camera Raw/Photoshop, without clearly show where those tools are located, so for novice like me, it took some time to find out what is he talking about.
Author description of histogram and clipping is disastrous. I had to spend some time online to finally understand the terms.
The book needs another revision badly, or may be it should be rewritten from scratch.
Any way if you are new to it like me, you won't find clear definition and descriptions. If you know what you are doing, this book will teach you nothing, get more comprehensive book
 Photoshop CS2 RAW August 14, 2006
Halifax Creative User Group (Halifax NS)
4 out of 7 found this review helpful
I must admit, I took a long time switching to digital for photo work, and then I thought I was set. It appears that not only do a I have to master the camera for settings, but in those instances where the money talks, I have to learn about RAW format rather than the high res JPG format I thought was dealing me a good deal.
If you shoot professional photography in digital format, you best scurry on down to the local bookstore for this one (or order online d'oph).
RAW gives you the ground base to build and perfect the data that results in great photographs. Of course you have to be a great photographer to begin with, so that said, this is why professional photographers need this. Alright, its important for photo illustrators too, but if you photographers do not understand why its important to shoot RAW, then the illustator, or yourself cannot do diddly with the jpg in terms of coverting to RAW again.
Must for professional digital photographers and illustrators. Handy for designers dealing with photos. Not relevant to non photo centric people. Printers will have an intrest in this as it relates to client work.
Too much graphic art - too little substance August 5, 2006
Charles I. Maas (Anchorage, AK USA)
6 out of 6 found this review helpful
In the field of digital photography, capturing and developing "RAW" files is a hot topic, largely because this is usually the route to the highest image quality attainable. The subject can be a bit opaque because each manufacturer mechanizes in-camera RAW files differently. Also, there are many different RAW converters (software packages for developing the RAW files into optimized images) from both the camera manufacturers and third parties. One of the most popular RAW converters is Adobe Camera Raw (ACR), originally released by Adobe as a plug-in for Photoshop 7 and Photoshop Elements, and now integrated into both products.
Adobe Photoshop is the undisputed king-of-the-hill in digital image editing software and has spawned an entire industry of "how-to" books. The subject is so vast and so technical it's nearly impossible to put it all in one book that is actually readable, though many have tried.
In this case I believe the author tried to accomplish too much in too little space. To thoroughly cover the topic of digital RAW would require many more pages, and would be better served, in my view, by taking a more narrowly focused, more studious approach to presenting the information. The target audience is questionable too: too much complexity for beginners; too little real meat for advanced users.
I also found the layout of the book disconcerting. It's bright and colorful with lots of white space, and is visually attractive from a graphic artist's perspective, but primary topics are presented as snippets of information followed by a host of screen shots and illustrations and sidebars with explanations. This disrupted the continuity of the ideas and I had to keep backtracking to pick up the main thread.
There's no doubt that the author knows his stuff, but the book left me unsatisfied. If you're really looking to understand and use Adobe Camera Raw to its fullest capability, there are better texts available.
A nice introduction to RAW May 24, 2006
L. Somers (The Netherlands)
11 out of 11 found this review helpful
I bought this book after reading the other 5-star reviews, so I thought Wow! This must be it! Well, it's almost 'it'. The book gives a well-written and useful explanation of what RAW is all about, and also shows some good examples of what you can do with RAW. It also helps you to decide when to shoot in RAW or when you'd better just switch to JPG.
Unfortunately, the images used in the book are of poor quality, both in terms of press and art. Actually they are just ordinary snapshots, for which JPG would be enough. The photos don't contribute so much to the text, because they are quit messy. Often it was not very clear what a certain change in Photoshop really does with the picture. The images are quit dull and smudgy.
Text however is clearly written, and after reading this book you have a very good impression about the power of RAW and how you can greatly enhance your photos by using Camera Raw and PhotoShop CS2. It gives you enough starting material to go on. Too bad the author didn't use more appealing pictures to show what awesome things you can do with RAW. From a award-winning professional, I expected high quality images and print.
Nevertheless I can recommend this book to anyone who wants to use RAW and who can work with Photoshop. You are able to master several important techniques with this book by your side. Then proceed to the next step: enhancing your finest pictures to exceptional pieces of art.
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